Weave & Grieve

Seven Penny Meadow, Longclose Bank, Consett,
DH8 6BA 

Wed 15th October 2025
09:00 - 16:00

A day of basket weaving, remembrance, and ritual in nature.

Join us in the peaceful setting of Seven Penny Meadow to make your very own basket as a vessel for remembrance and reflection.

Guided by nature, this one-day workshop invites you to explore how grief is a natural thread of life and can be transformed through creative making.

No experience needed, just a willingness to slow down and create.

This workshop is perfect for: people interested in slow craft and sustainability; end-of-life doulas; celebrants; families who’ve had a natural burial; grievers seeking a creative outlet; artists and ritualists; eco-conscious individuals

Workshop tutors:

Ruth Thompson (Sylvan Skills) - willow weaving & basket making

Dr Katy Vigurs (DEAD GOOD) - nature-based grief rituals

Optional extra: Tour of the natural burial ground with Sumantha Abrams (owner of Seven Penny Meadow)

£95

There are 8 places available. Booking closes at midnight on Friday 3rd October.

To find out more and to book your place email: hello@deadgood.org 

Hand-me-down histories:

The art of reusing heirloom textiles

A graphic with a purple checkered background featuring text: "HAND-ME-DOWN Histories: The Art of Reusing Heirloom Textiles" with "DEAD GOOD x Tactile Academia" below it. A skull with flowers is at the top, and "Quilty Pleasures" is written on the sides.

Our inaugural online event with
Dr Alke Gröppel-Wegener from Tactile Academia,
in conversation with KV & LV from DEAD GOOD

Join Alke, Lindsey and Katy online to hear them discuss ways in which the textiles we already own (or have been handed down to us) can be used and repurposed to share visual stories about our lives and values. These become personal tactile textile stories - threaded, stitched and woven - that can be worn, held, touched, displayed, and even snuggled under.

We are interested in exploring with you how personal histories can be shared with others via:

  • Heritage/heirloom textiles (where fabrics are used that have a personal connection to somebody or some place/time, such as old clothes, but also domestic textiles like tea towels, tablecloths, hankies, curtains, soft furnishings, etc.)

  • Illustrative narrative textiles (where imagery and pictures are created through embroidery, applique or similar, that tell a story by literally illustrating a life)

  • Data-driven textiles (this is a more abstract approach to storytelling where patterns are created by visually communicating specific data points)

  • Collaborative approaches to creating stories via textiles. Such as the making of a quilt where a group of individuals contribute one (or more) block(s) to then be made into a cohesive whole.

We can't wait to meet you and hear how hand-me-down histories could apply to your life.

Introducing the hosts:

Dr Alke Gröppel-Wegener - Alke started sewing as a little girl, and has been doing it ever since. She worked as a costume designer in the early 2000s, learnt to weave on a floor loom while studying at the Penland School of Crafts and kept playing with text and textiles while doing a ‘proper’ job as an award-winning educator in higher education, even making a quilt as a personal development review. Having left her position in academia to create a better work-leisure balance, she runs Tactile Academia and is currently exploring craft in the context of storytelling (and travelling the world whenever she can).

Lindsey Vigurs - Lindsey is one half of DEAD GOOD, and an experienced illustrator, designer and artist. She has always enjoyed working with textiles within her arts practice and is as comfortable on a sewing machine as she is with a sketchbook and pen. Dressmaking is a passion (most recently sewing a vintage clownsuit) and, although not a perfect seamstress, she can run up basic garms and costumes. Lindsey has created textile illustrations using found materials, repurposed clothing and industrial scrap. Sculptural hospital gowns, Frankenstein plushies and hideous dolls are all in her repertoire.

Dr Katy Vigurs - Katy is the other half of DEAD GOOD, and Lindsey's sister. Katy and Alke worked together as creative academics for nearly a decade. Katy is a social researcher by background with an interest in lifeworlds and life histories. Through DEAD GOOD she helps others tell their stories in imaginative ways. Katy is a total sewing newbie, and just about knows her thimbles from her bobbins. Last year she attended some community classes on darning, Sashiko and needle felting and now she's hooked (pun intended). She's full of ideas and is enjoying learning new crafting skills.

Tickets are available on a sliding scale £10 / £15 / £20

headshot of Alke, smiling white person with curly brown shoulder length hair, wearing a pale blouse and black apron
photo of Lindsey, white person with glasses and bright lipstick and a green parka with furry hood, in the background is London

Alke Gröppel-Wegener

photo of Katy, a white person with orange hair and glasses, smiling in sunlight

Lindsey Vigurs

Katy Vigurs